Where is the problem? How to Solve it?

In your practice section, every time you played a wrong note, you repeat that few times, expecting it to be correct next time you run over it. Disappointed sometimes, you don’t know why. Worse, you thought you can solve it by repetition.

I summarized the flowing reasons and provided the solutions accordingly.

1. The connection between the wrong note and one, two or three notes before is not coordinated well. In order to find out which notes you don’t connect well, play 70% of the normal tempo, so you can hear what you do while there is still some connection between the pitches. When you locate the sweet spot of few notes, find out whether the problem came from the left of right hand. It might be a coordination problem of a shift, string crossing. Etc.

2. The second problem is to react effectively to intervals of a harmony or a sequence of notes; you can’t hear it clearly what’s coming. Those intervals just sound uncomfortable to you. The solution is the same. You find out where, and how many notes are there. Usually 2 to 4 notes. Then, you transpose them to different intervals by half steps, major or minor thirds, which ever and how ever you want. The key is to understand the relationships between the notes. Let you mind kick in to calculate where they are.

In short, the problem is usually on subtle things of a few notes or transition. Identify them and solve them with creativity. Combine them with different bowing, rhythm, phrasing, color and keys, making yourself adaptive.

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你真知道问题在哪吗？

当练小提琴的时候，每拉错一个音，你就重复那个音几遍，期望下次能把他一边拉对。当时常让人失望。你可能不知道症结在哪。

以下是我总结的几个原因，以及解法。

1. 错音与之前那个音的衔接不顺；从技巧方面看也许是错音和它前一个或几个音的指法或弓法衔接不顺导致。这是可以拉80%左右的速度，把那个让你感到不适的几个音给找出来就好了。在拉到那里时，你会感觉到到头脑一片空白，或模糊不清。当你发现那三，四个音的概念在你的意识中不清时，哪就是你的整洁所在。之后，整理好自己的指法或弓法。一定会有一定的提高。

2. 对个和弦或几个音的音程关系不清；这是大脑对音的预判不准或不够灵敏导致。解法同样简单；你只需要搞懂是哪两或三四个音的音程关系不明就可以了。先把两个搞熟，然后三个，四个，以此类推。此时可以运用转调来把那几个音的关系在不同的音域进行练习。你可以转半调，小三，大三，等等。加进不同的指法，弓法，情感，请在这里尽情的发挥你的想象力。

总而言之，错误的原因通常发生在很细微的几个音上；把他们尽可能准确的找出来，然后耐心的解决。

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